Sonata of the Dead: Teaser #3

cwtu1_22

‘Joel, I think you need help.’

I need help? I’m not the one who killed in cold blood. I’m not the one who took photographs of naked women in changing rooms and then tossed off over them back in his sad pad.’

‘No. But it’s a sunny day. And you chose to come and sit in a cold room in a prison miles away from where you live. Shepherd’s Bush, isn’t it? Or did you move? I’m guessing you would have moved. Somewhere smaller. You’d have been rattling around that old place, wouldn’t you, Joel? You and perky tits… what was her name?’

I’d stood up without realising it. The guards in the room stepped closer. One of them rested his hand on the Taser in his belt. I’d come in here determined to control myself, to control him, to control the situation, and within seconds he had the upper hand. He was playing me like a knackered trombone.

‘What did you think you could do, Joel? Why did you even come here?’

I was shaking my head. I was digging my nails into my palms. I could feel the adrenaline from my kidneys, a hot liquor that was slowly poaching me from the inside out.

‘May I offer an hypothesis?’

A peeping Tom. A guy who scraped shit off toilet bowls. A coward. A thief. I remember word for word how the judge had referred to him just before passing sentence: a pathetic, tragic alien living among us, the antithesis of everything good in his victim.

‘I think you came here because you consider me the strop that keeps your edge keen. You came to see me because you’re losing your grip on who you are and what you feel your point in life is. Rebecca was your anchor. She kept you grounded. And now you’ve been cut adrift, there’s nobody to steer you into safe waters, is there?’

He licked his lips. His face hosted boles of deep shadow, like the cross-hatchings in a bleak political cartoon. His eyes were pale crucibles of cold flame. In the dock he had stood bowed, like an S, like something defeated, burdened with a weight only he could feel. A grey man, his hair thinning, apparently being eaten away by something more deleterious than the most aggressive of cancers. Now he was loose-limbed and lissom. Muscles shifted like oiled rats against each other under his clothing. His skin was pink. He gleamed.

He rubbed his hand over his mouth. His nostrils flared. His fingernails were like polished slivers of almond.

‘So Joel, how’s the search for your daughter going?’

Sonata of the Dead: Teaser #2

Screen Shot 2016-06-28 at 19.52.30

I was on the M6 within twenty minutes. The motorway was uncommonly quiet, just a smattering of lorries and cars, maybe a dozen or so in total. It was getting on for seven o’clock. Clouds were piled like wet grey towels.

My dad died when I was twelve years old. He dropped dead in a car park in Southampton while he was attending a conference, some work-related training course; he was an office manager for a stationery business based in Penrith. Aneurysm. The technical name for it – subarachnoid haemorrhage – gave me nightmares. I thought his head had split open under the weight of a skull filled with spiders. I bore the fear of that for years; a time bomb in the brain he had carried from birth.

I remember little things about him, although I suspect I’ve also dreamed some of them into perceived reality. The way he drank instant coffee exclusively with hot milk and lots of sugar; his penchant for big coats with big pockets so he could line up his pens in a row; a love of Dylan and Mitchell (I remember singing along to Blue in a Christmas living room smelling of vinyl seat covers and tangerines and Harveys Bristol Cream). I remember going to the swimming baths with him, and clinging on to his shoulders in the deep end, where the water was always colder. He would buy me crisps and chemical-green pop from the vending machines afterwards, and we’d sit on plastic chairs while I ate and he tied my shoelaces.

What’s the difference between a duck?
I don’t know, Dad.
One leg’s both the same.

My foot on the parapet. The crack of stone. The drop.

How fast you’d go. A sense of freedom, of flight. Shackles off. A release for ever from worry and fear and responsibility.

I bore down on the accelerator.
70… 80… 90…
I lifted my hands from the steering wheel and closed my eyes.

Sonata of the Dead: Teaser #1

I couldn’t look to my left: that was the side with the sheer drop. To my right was Underdog slapping the cosh into his hand. If I concentrated on my feet I’d be too aware of the abyss screaming away an inch or so from my little toe. Straight ahead was somehow easier, even though I’d have to trust myself to walk in an utterly straight line. In the distance, Peckham maybe, the cherry and ice-blue stutter of police lights. Burglary in progress. Man down. More likely it was a couple of night-shifters bossing traffic so they could pick up their coffee and pastries. Use that, I thought. Focus on that.
I started to walk.

I’d never had a problem with heights when I was a kid. I could climb trees and leap from branch to branch fty feet above the ground, where squirrels fear to tread. And then something happened – I don’t know what – and I was afraid of heights, to the point where my mouth would turn tinder-dry and my knees would become crucibles of molten metal. Maybe it was as simple as becoming an adult; more likely it was because I became a father. It might have had something to do with the fight I had on top of the railway shed at St Pancras four months previously. That kind of behaviour does nothing for your sense of mortality, believe me.

But this was going well – as well as I could hope – to the extent that I was building up some speed. Get it over with. Get home. Get vodkaed. But of course it’s when you’re feeling at your most confident and comfortable that something comes along to welly you in the bollocks.

Part of the parapet shifted underfoot.

I felt myself sway sickeningly to the left and my hand instinctively reached out for a counterbalance that was not there. I heard, very clearly, Underdog say: ‘Shit.’

I knew I was dead if I didn’t move, and the only move I had was a jump, off my right foot. But because I was already tilting left, unbalanced, there was a strong chance I’d only propel myself into dead space. So I had to keep right, which meant launching from my left, which meant little purchase because there was hardly anything below my left foot any more but concrete dust. All of this went through my head in the time it took for that syllable to fly through Underdog’s teeth. I pistoned my foot down and the parapet collapsed completely…

CW up for a CWA Dagger

d-logo-black

My story Rosenlaui has made it on to the shortlist for a prestigious Crime Writers’ Association Dagger award. I’m shocked and thrilled. The nominees were announced at CrimeFest this weekend. The awards ceremony will take place later in the year.

If you’d like to read Rosenlaui, along with a bunch of many other fine tales by many other fine writers, you can get hold of a copy of the anthology, edited by the redoubtable Maxim Jakubowski (who is also responsible for getting my PI Joel Sorrell on the scene, by the way), here.

Congratulations and good luck to all the other finalists.

Dead Letters Teaser #17

And We, Spectators Always, Everywhere, Kirsten Kaschock

kirstenkaschock.jpg

When they finally come back to the playground, the boy is in pain. He does not say so, but affects a slight limp. His left foot makes less viable connection with the balance beam than the right. She holds his hand, failing to register this new asymmetry. The boy’s gait is his first test for her and she fails. The mother clearly prides herself on attention to minutiae – so says the unnatural lift of her brow. The boy has a bruise on his heel, but it might be bone cancer. After the initial fever, polio can look like this, in other boys. In other times and countries.

Distraction is written all over. The blue sky scrawls with plane sign, and worms are fingering bottle caps and butts near the exposed roots at my feet, covered in boot. My book, soaked through days before, is illegible – each page polluted with the next, warped, stuck, tearing if turned. A buzz emanates from the mother’s purse. She checks it, smiles, and puts him down. She is no longer beside him. She is somewhere else.