So now I find out that the short story I need to write for the end of the month has a new deadline date of May 17th. I’m going to have to write both in tandem. I can’t afford to let Blonde slide for another week. Today’s output dealt with something which might, or might not, have happened to my narrator. As you might have guessed, he’s an unreliable narrator. This creates its own little host of problems, especially in a supernatural novel. How far can you go with the ambiguity? Is it all right to show something happening that might, in the end, never have happened? Is this a skilful manipulation of the audience, or blatant deceit? Again, I think it’s a matter of instinct. The danger is that you build an atmosphere on a foundation that doesn’t exist. The story might not be progressing because you’re caught up in the smoke and mirrors of the genre’s special effects. Best to just press on regardless and see what it looks like when you read it back, much later. Well, that’s what I do.
Listened to: Low and Hunky Dory by David Bowie