A corker of a review, thanks to Crime Fiction Lover, who gives the book five stars and reckons the Joel Sorrell books to be ‘the greatest series of crime fiction in recent memory’.
Hell is Empty is officially published today, apparently (although it seems to have been available on Amazon for a few days already). To accompany the launch of the novel, I’m privileged to be involved in a blog tour. Details are below. Big thanks to all the hosts. I hope you’ll dip in to see what’s on offer…
I headed back to the car. Gone two a.m. I felt as if my internal clock had been overwound and dropped on the floor and kicked against a wall a few times. I wasn’t even sure what day it was. Only the Christmas lights shining in the houses parted by the M1 gave me any kind of clue as to where we all were.
I thought of wrapping presents on Christmas Eve with Rebecca and trying, and failing, every year to get her to do it in the nude. While wearing a Santa hat. I would always write a letter from Father Christmas to Sarah after I’d had a few Bristol Creams, disguising my handwriting best I could. You’ve been very good this year. You know that Mummy and Daddy love you very much. Maybe next year you can sit on Rudolph… I’ve been very busy, you know. And then I’d scarf the mince pie and toss back the glass of brandy and put the carrot back in the salad crisper.
I might have wrapped presents with you in the nude if you didn’t get so piss-pants drunk.
It’s Christmas Eve. What else are you supposed to do?
But that’s your excuse for everything. Christmas Day. New Year’s Eve. New Year’s Day. The first daffodil of spring. Having a shave.
You’re being dramatic. And more than a bit unfair.
Just think on the number of times you could have spent truffle time with my magnificent norks. But you forwent that because you had your gob around a bottle neck.
That was then, Becs.
Yeah, well, I was then, too.
The wipers keeping beat to the sad song that always played. The rain. The splintering of all those red lights on wet tarmac. So much blood. There had been so much blood. The amount we carry in these fragile vessels. And it had all flowed so feverishly for me, as mine had for her, all those years ago. Now it felt like cold porridge in my veins. What was left of hers was soaked into the fibres of the floorboards on Lime Grove or turned to ash by the flames at the crematorium.
One thousand degrees Celsius.
You always said I was hot stuff.
A stiff breeze, riddled with winter, tore through the exposed bones of the building. There were other giants rising in concert with this one. London, irked by the knowledge that it was a global shortarse, had decided to tilt for the heavens. Across the way the Splinter was nearing completion. Nearly 800 metres of glass and steel fitted together with the kind of top-level engineer-fu that ensured there were no visible joins. There seemed to be no window frames, just a uniform smoked-glass look throughout, as if it had been fashioned from one stupendous layer. It was beautiful and terrifying and it felt as though I could just reach out from where I was standing to touch its gleaming, polished shoulder. The summit of the Splinter would be a jagged thrust of reinforced glass. Something playful the architect had come up with, to offset the dreary pursuit of money that would go on in all the floors beneath it. He wanted to replicate the shattering of some boiled sweet or other that had caused him to lose a tooth. Work was ongoing; the building was due to open officially in the first quarter of the New Year.
I admired it for a while and then tried to imagine a struggle and a person being thrown over the edge. Was there any chance, I wondered, that the Skylark had finally lost one of these skirmishes and plummeted to his death instead of his intended target? I made a mental note to check the details of the final victim, thinking that whoever had been in charge of the investigation back then ought to have done so as a matter of course.
I got so high that I ran out of building. Steel rods reached up from concrete cores. A guy stood there, slouched against them, observing my trespass. My heart pounced but it was just a hi-vis gilet and a hard hat jammed on a strut. Christ it was cold. Wind buffeted the heights – it probably did so most of the time, no matter if it was completely still at street level. I was about to go – cursing myself for not rocking up in hat and gloves – when I saw light on the uppermost levels of the Splinter.
I might not have been so surprised at that of course, in this metropolis of megawattage, but for the way the light arrived, and the nature of it. It bloomed into being and was softer, a buttery light next to the harsh burn of the halogen. It flickered and leaned as it was moved across the floors. A security guard whose torch had let him down, relying on a candle? Highly unlikely. Kids then. BASE jump researchers. I kept my eyes on the flame. Now it ascended. When it had risen as far as it was able I thought I saw something just beyond its reach: the pale round of a face most likely, looking out, as I was, on the yawning muddle of roads and buildings that meant home. I fancied, with a chill of recognition, that he, or she, was looking straight at me, though surely I was concealed by the dark. It didn’t stop me from moving back into deeper shadow, or whomever it was from suddenly extinguishing the flame.
I sipped my coffee while I flicked through the sheets, glimpsing ghosts. Nearly known names and addresses. Tip-of-the-tongue stuff. Slant-rhymes in a dissonant memory. Many of these people dead now. Many of these addresses turned to rubble or morphed into millions of tons of gleaming glass and steel. The misdemeanours on their criminal records, some of them almost laughably old- fashioned; cute, even. Ernest Percival, fifty-two, of 6 Walmer Road, London W11 had apparently, at midnight on the night of 20th December 1961, stolen two frozen turkeys from Pyrkotis Butchers in Camden and then tried to hide them in a tree when approached by police officers.
Jesus. I trawled through three or four envelopes until I realised I was sitting in an uncomfortable position on the kitchen stool and cultivating a cricked neck. I stood up and stretched and took the pile through to the living room and stretched out on the sofa. It was old shit, but it was interesting, in the way any document from the past is interesting. A window on a world you used to know but is now so alien it seems drawn from dreams.
One envelope in particular caught my eye. The word Skylark was written upon it. I tore it open and out poured a glut of horror. I saw the photographs first. Large monochrome prints of what at first seemed to be pictures of carelessly spilled black paint. But paint didn’t contain body parts: fingers and faces. These were bodies that had been obliterated. What could do such a thing? But I knew full well it had nothing to do with weaponry. This was catastrophic injury sustained in a fall from a great height. This was what we used to describe in the police as ‘pancaking’. We had to collect what didn’t stay inside the bodies with a scraper. I’d dealt with one, a couple of months before I threw my serge uniform and tit helmet at the Chief Superintendent and walked out. A Russian couple who had thrown themselves off the top of a multi-storey car park in West Kensington. They didn’t look too bad, all things considered. They were lying on their backs in the snow. They were still holding hands. Blood had leaked from their ears, the only hint of fatal damage, until we tried to transfer them to the ambulance. It was like trying to heft an octopus. There was no structure to the corpses, the bones having been pulverised. It helped, in a freaky way. You could believe that what you were wadding into the body bags was anything but human. Lover’s leap. Hellish romantic.
Presumably not, because nobody had ever been caught.
Here’s the completed cover for Joel Sorrell III…
A great review of Sonata of the Dead from risingshadow.net
‘…perfect and compelling thriller fiction… one of the best and most intriguing novels of its kind. It’s every bit as good as Dust and Desire.’