OMOHO

Lancaster University, 1993. I’m in a class. It’s the creative writing MA. My tutor is Alan Burns. He wrote Europe After the Rain, Babel, Dreamerika! He was one of a group of experimental writers knocking around in the 1960s which included BS Johnson. Alan used to talk about cut-ups a lot. And he was fond of this exercise: choose […]

Why Blonde became Dust

In the mid-90s I read all five of Derek Raymond’s pitch black Factory novels: He Died with His Eyes Open, The Devil’s Home on Leave, How the Dead Live, I Was Dora Suarez and Dead Man Upright*. I’d been of a mind to write a crime novel of my own for some time, and had […]

Primed for Darkness

The splendid Ali Karim has posted an in-depth interview he conducted with me for The Rap Sheet, the essential, award-winning resource for readers seeking information about what’s new and interesting in the world of crime fiction. You can read it here. Thanks to Ali and The Rap Sheet for their interest and support.

Doorstep Horror

This post originally appeared at the Mulholland Books website in September 2010, shortly before my crime novel, Blonde on a Stick, was published. October 1977. I’m eight years old. Dad’s at work. I’m sitting at home hunched over a chessboard waiting for him. White and black plastic. Pawns and pieces on a foldout board fraying […]